Product Details Availability eBay.co.uk TALKING HEADS 'REMAIN IN LIGHT' LIMITED EDITION GERMAN PRESSED LP NUMBERED 0545 Condition: Used Time left: 10h 24m 6s Ships to: Worldwide £34.95 eBay.co.uk Talking Heads -Remain In Light [Double Disc - New CD Condition: New Time left: 14h 40m 50s Ships to: Worldwide £10.92 eBay.co.uk Talking Heads - Remain In Light SRK 6095 NP Condition: Used Time left: 15h 40m 41s Ships to: Worldwide £29.99 My favourite store: Remain In Light is ranked as the best album. Talking Heads album bestography « Higher ranked This album (42nd) Lower ranked (289th) » - Remain In Light. This is a great album, from beginning to end. Every song on here has a great beat, great riffs, or interesting lyrics, or more than of these features. I was never a big fan of the Talking Heads, but this is their best album, a masterpiece, highly listenable.

You'll want to play it repeatedly. It's a great album, period, one of the best ever in my humble opinion. Out of more than 1,400 albums I have listened to in their entirety and rated, I have given a score of 100 to only 10 albums. This is one of them.

'A lot of people don't realize this, but Remain in Light was the worst-selling record ever,' says drummer Chris Frantz. 'Financially, we took a beating on that one,' says David Byrne.

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'At the time, it was a really hard sell. Driver 2250 Pram Usb Device. The reaction that we heard was that it sounded too black for white radio and too white for black radio.' Remain in Light may have been a commercial disappointment, but musically, the band's 1980 album — which combines funk, disco and African rhythms — was years ahead of its time. 'It got great critical acclaim, and we felt that it kind of took popular music to the next phase,' says Frantz, 'which is what we always wanted to do.' But getting there wasn't easy.

Depending on who you speak to, tensions in the studio often ran high between at least two parties. ' Remain in Light was a difficult album to make,' says Frantz. 'We wanted to do something groundbreaking, but we didn't want to get into fights about it. And a couple of times we did get into fights — musical fights — because somebody wanted to go one way and another person thought it shouldn't sound like that.' Within the first week of recording with producer Brian Eno at the Compass Point studios, in the Bahamas, British engineer Rhett Davies quit in frustration. 'He said, 'You guys could be making a great pop album,' says Frantz. 'The British, you know, have these ideas about 'great pop albums.'

In his place, they hired David Jerden, who had worked with Eno and Byrne on their recent collaboration, My Life in the Bush of Ghosts. Bassist Tina Weymouth says recruiting Eno was difficult because he and Byrne had had a falling out. 'Brian didn't even stay to finish Bush of Ghosts,' she says. 'Something happened between him and David. We asked him to work on Remain in Light, and at first he was reluctant. I really don't know what went down between them.'

Byrne has slightly different memories of who was fighting whom. 'That was between me and Tina,' he says with a laugh. Destination Treasure Island Pc. 'I think she was understandably upset that Brian and I were pushing this whole direction so adamantly. It was almost like it was a train out of control or something. Maybe she felt that she wasn't a part of that.