Studio Devil Virtual Tube Preamp V1.0-r2r
Studio Devil Virtual Tube Preamp faithfully emulates the analog circuitry of a discrete, class-A biased, vacuum tube preamplifier. 1gb Ram Games Pc. All of the associated analog circuitry, including the vacuum tube itself and the effects of biasing resistors and capacitors, are simulated in amazing detail.
Just about any audio source or track can benefit from the natural soft limiting and dynamic warmth that this virtual tube preamplifier provides. Features: Discrete Vacuum Tube Preamplifier Channel using the best vacuum tube modeling technology available to faithfully emulate the dynamic and expressive nature of real vacuum tube preamplifiers using Studio Devil’s proprietary vacuum tube circuit modeling technologies!
Studio Devil Virtual Tube. Home » Audio Samples • Sample Library • Tutorial » Studio Devil – All Plugins Bundle (APP/AU. Virtual Tube PreAmp v1.0. Download for FREE ★★★ Studio Devil Virtual Tube Preamp faithfully emulates the analog circuitry of a discrete, class-A biased, vacuum tube preamplifier.
Msn Messanger Install more. Studio Devil Virtual Tube Amplification. Studio Devil is a guitar and bass tube amp emulation software technology, available as plugins for audio host recording.
Input Drive Control adjusts the strength of the signal feeding the input grid of the virtual tube preamplifier! Output Level Control to adjust the output signal strength and to compensate for low drive settings! Daredevil Hevc X265 on this page. Bass Contour Control to sweep the value of the cathode bypass capacitor which controls the low frequency and dynamic saturation responses of the preamp!
Treble Rolloff Control to tweak the value of intrinsic and parasitic capacitances in the simulated vacuum tube preamp, giving control over the natural warmth and softness associated with real vacuum tube preamps! Bias Switch to select from two preset tube bias levels which vary the interaction of gain, asymmetrical drive, and dynamics of the preamplifier! Invert Switch permits controlling the phase of the preamplifier and the polarity of the class-A asymmetry! CPU Switch adjusts the modeling algorithm to balance the tradeoff between accuracy and CPU load allowing multiple instances to run on even slower workstations! Overload LEDS assist in setting healthy levels by indicating when the input signal is overdriving the tube preamp and when the output level clips!
Virtual Tube Preamp is a plugin (VST/AU/ RTAS) that mimics the tonal and dynamic nuances of the classic 12AX7A vacuum tube (invented by RCA), which has been the central component in most of the great analogue tube preamplifier stages since the 50s. 'Studio Devil's VTP enables you to virtually adjust the tuning of the components' To date, Studio Devil hasn't exactly made itself known for its subtlety. Its flagship Amp Modeller Pro guitar amp sim is capable of shredding your face off at 50 paces, so this polite new addition to its lineup of processing plugins comes as something of a surprise, and its mild-mannered nature actually takes a bit of getting used to. The way in which the tube interacts with the other components is what gives different preamps their own characteristic tones, and some found more favour than others.
Studio Devil's VTP enables you to do what you couldn't have done back in the good old days with the 'real' version, and that's to virtually adjust the tuning of the components, thus giving you access to a much wider array of tube tones. This is a plugin that can be used on anything from individual drum, guitar or vocal tracks, through sub-groups to mix busses and even your mastering chain. It's not only intended to warm up your digital sounds; it also acts like 'audio glue', melding parts together in a natural-sounding way, just like old analogue gear does so well. Going underground It's easy to be deceived when you insert VTP onto a track: by default, the Output Boost knob is a couple of dB above 0, giving the impression that your source immediately sounds better. In fact, without that boost, you might not instantly notice any difference at all.
'Like a real tube, the harder you push it, the more the tone and dynamic response change as it saturates' To look at, it appears to be nothing more than a simple drive and tone box - which, to an extent, it is. The beauty and joy of it, though, lies in the way the controls interact. Of course, the Input Drive control boosts the level of the input, but like a real tube, the harder you push it, the more the tone and dynamic response change as it saturates and limits the signal in a very musically sympathetic way. The Bass Contour parameter affects not only the tone of the bottom end but also the attack characteristics, so as you turn it up, you get more bass and a slower attack. This emulates the way the cathode bypass capacitor value affects the tone. The bass tone is quite thick, and we often found ourselves following it with a subsequent EQ in order to find the right weight.